Price coming soon
English Pear & Freesia vs Good Girl Gone Bad
Price coming soon
The scent fingerprint
Floral: English Pear & Freesia 60 out of 100, Good Girl Gone Bad 85 out of 100. Fruity: English Pear & Freesia 70 out of 100, Good Girl Gone Bad 55 out of 100. Musky: English Pear & Freesia 45 out of 100, Good Girl Gone Bad 40 out of 100. Amber: English Pear & Freesia absent, Good Girl Gone Bad 45 out of 100
What brings them together, what sets them apart
How they evolve on the skin
Notes shared by both perfumes.
What are they for?
How is it calculated?
These markers are an editorial estimate calculated automatically from the perfume's real accords and their intensity, following the classic reading of scent families (hesperidics and aromatics shine in summer and at the office, ambers and gourmands in winter and in the evening…). They do not come from user votes and do not replace a test on skin.
Why choose one… or the other?
Why choose English Pear & Freesia
- It brings what the other lacks — patchouli, pear, melon.
- More atypical composition in our catalogue (rare notes: melon, freesia).
- We have no price recorded at our retailers yet.
- Lighter concentration (Eau de Cologne): lower theoretical longevity.
Why choose Good Girl Gone Bad
- It is more concentrated — Eau de Parfum where the other is eau de cologne — so theoretically more tenacious.
- Facets English Pear & Freesia does not have: amber, tuberose, lychee.
- Warmth wins out, with amber in support.
- We have no price recorded at our retailers yet.
The verdict
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Most concentrated
Good Girl Gone Bad — an eau de parfum formula against an eau de cologne
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Most enveloping
Good Girl Gone Bad — signature carried by amber
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Most original
English Pear & Freesia — its notes are rarer in our catalogue (melon, freesia)
Each trophy applies to a specific use, not in absolute terms.