Duel

Mixed Emotions vs English Oak & Redcurrant

The scent fingerprint

What brings them together, what sets them apart

In common

No notes in common — two very distinct worlds.

Exclusive to English Oak & Redcurrant

How they evolve on the skin

Notes shared by both perfumes.

Top notes the first half hour
Heart notes the central character (1 to 4 h)
Base notes the trail that remains (4 h and more)

What are they for?

Mixed Emotions
English Oak & Redcurrant
Seasons
Spring
Very suitable
Very suitable
Summer
Very suitable
Very suitable
Autumn
Very suitable
Suitable
Winter
Not its territory
Not its territory
Moments
Office
Very suitable
Very suitable
Everyday
Very suitable
Very suitable
Evenings & dates
Suitable
Suitable
Night
Not its territory
Not its territory
How is it calculated?

These markers are an editorial estimate calculated automatically from the perfume's real accords and their intensity, following the classic reading of scent families (hesperidics and aromatics shine in summer and at the office, ambers and gourmands in winter and in the evening…). They do not come from user votes and do not replace a test on skin.

Why choose one… or the other?

Why choose Mixed Emotions

  • It is more concentrated — Eau de Parfum where the other is eau de cologne — so theoretically more tenacious.
  • white musk, violet, black tea: all materials absent from English Oak & Redcurrant.
  • No offer listed for the moment.

Why choose English Oak & Redcurrant

  • Its pyramid opens on rose, redcurrant, oak, nowhere to be found opposite.
  • Its formula is out of the ordinary — redcurrant, oak are among the least common notes in our database.
  • No tracked point of sale to date.
  • Less concentrated (Eau de Cologne), it should last less long.

The verdict

  • Most concentrated

    Mixed Emotions — Eau de Parfum, so more material than an eau de cologne

  • Most original

    English Oak & Redcurrant — its notes are rarer in our catalogue (redcurrant, oak)

Each trophy applies to a specific use, not in absolute terms.

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